Fujifilm Instax Mini 40 Review: Image Quality

The Mini 40 is sure to appeal to both newbies and ardent fans of instant film by taking the foolproof features of the Instax Mini 11 and adding a good dose of retro design. Selfie mode offers versatility, even if the results aren’t noticeably better than the usual photography mode. Auto exposure and variable shutter speed reduce human mistake, resulting in more images coming out as you wanted. It’s not nearly as simple to suggest as the Mini 11, though, because the improved designs come at an additional cost.

Characteristics and design

Although mechanically identical to the Mini 11, the Mini 40 has a more sophisticated appearance because to its faux leather finish and silver trim features.
Although this model is far less expensive and built nearly completely of plastic than the more expensive Fujifilm Instax Mini 90, it manages to avoid feeling cheap. It’s a little bit smaller than the Mini 11, but it’s still too big to fit in a pocket. If portability is important to you, consider hybrid instant cameras like the Canon ZoeMini or Fuji’s Mini LiPlay.

The Mini 40 may be used with one hand comfortably when held vertically, and the rubberized thumb rest offers much of support. There are only two buttons on the front face, one of which extends the lens barrel and the other of which releases the shutter. Even in direct sunshine, the built-in flash is automated and cannot be turned off, so all you have to do is point and shoot. There isn’t even a tripod thread on the body’s bottom.
You insert film packs into the flip-out rear door to the right of the viewfinder. It’s somewhat off-center to the lens, similar to the Mini 11, so what you see through it doesn’t quite match the final print.
By opening the film door early, you can avoid wasting shots because a small window in the back door indicates how many shots are still in the currently loaded pack.

Pricing and accessibility

Fujifilm’s Instax Mini 40 is now on sale for $100. Fujifilm has also released a new Contact Sheet version of the Instax Mini film, with a black border and red writing, priced at $15 for 10 shots.
Review of the Fujifilm Instax Mini 40 Optics The 60mm f/12.7 retractable lens on the Fujifilm Instax Mini 40 is identical to that on the Instax Mini 11 camera. The silver button that serves as both the camera’s on/off switch and activator may be found on the lower right side of the lens.

The lens offers a 35mm-equivalent field of vision and a focal length range of 0.3 m to infinity. Because of this, it’s perfect for filming everyday life because it’s wide enough to include multiple individuals in a shot without distorting them.

Selfie mode

Although the Fujifilm Instax Mini 40 may take great pride in its vintage appearance, it nonetheless makes references to contemporary culture. It has a “Selfie mode,” which may be used for this purpose by pulling the front of the lens outward. When engaged, it helpfully shows the phrase “Selfie On” in case you forget.
Before you start shooting, you may check your framing and face in a little mirror on the front of the lens. You can take close-up photos while in selfie mode.


The Fujifilm Instax Mini 40 is a completely automatic camera with a flash that always fires, independent of lighting conditions, unlike more expensive cameras that normally have a pop-up or clip-on flash. Although there is a maximum flash range of 8.85 feet, exposures will be better if you are shooting in low light or late at night.
With a camera like this, it’s rare that you’re shooting extremely quickly anyway, thus the flash recycles after a few seconds. If speed is your top priority, consider one of the finest mirrorless cameras instead.
With the Mini 40’s variable speed shutter, which varies from Performance, exposure is automatically adjusted.


As soon as the release button is pressed, the spring-loaded lens barrel rises. Don’t believe you can treat it like a macro lens because you can’t. Manually pulling it further brings it into selfie mode, which is intended for shooting between 0.3 and 0.5m away. Use it for anything closer, and the images will be quite blurry.
However, it does imply that, unlike with earlier Instax cameras, you won’t need to lug around attachments. Although the convex curvature of the lens barrel significantly distorts your reflection, the little mirror on it aids in aligning your pictures.

The viewfinder is isolated from the system optics, as is the case with the majority of instant cameras. It is somewhat out of focus in this location and provides a generous picture of what will fit in the frame. It’s common to go a little bit closer to your subject than you anticipate, which might be a learning curve.
Each print takes up to five minutes to fully develop before being mechanically ejected via a slot in the top of the camera. In this regard, Instax outperforms Polaroid’s I-Type film, albeit that was to be expected given the latter’s smaller size.
No of the lighting, the flash will always activate when you click the shutter button because the auto exposure system is set up to anticipate it. In especially while photographing indoors, it should be able to handle both highly illuminated and dim subjects because it can alter shutter speed between 1/2 and 1/250.
It is powered by two AA batteries, which can normally handle 100 shots or ten film packs. The likelihood of running out of film is much higher than that of running out of power, but at least AA batteries are more widely available than the cumbersome CR2 batteries Fuji used to use for its quick cameras.


The nearest rival to the Mini 40 is almost as simple to operate thanks to an autofocus feature that helps prevent you from wasting film on fuzzy pictures. It’s obviously inspired by the past, but it also embraces contemporary design, which some people would prefer over the Instax. The new Polaroid Go has introduced a smaller format. The majority of Polaroid cameras use larger I-Type film, which can be more expensive per shot than Fuji’s method.

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